You can read Reviews here.
Dr. Dizzy explains the secrets of life (video still from Road Show)
Storytelling how society works through art, B. Lynch embellishes, makes fun of, and wonders at the societal friction in our new gilded age of income disparity. She has had solo shows at many universities and museums. Recently she has featured her ongoing Red and Grey solo project outings at College of the Holy Cross: New Gilded Age through February 5, 2021; Phillips Exeter NH summer ’19; at Framingham State University of Massachusetts fall ‘18; and at Brattleboro Art Museum in 2021/2022. Her videos have been screened across the country, currently Not Impossible is on view through October 2022 at the Susquehannah Museum in Harrisburg PA. Videoswere featured in the group exhibition Storied References, Northern Illinois University Art museum in winter 2021. Over the spring and summer videos were included in exhibitions in South Carolina and Texas. Her video work and drawings have also shown in Germany, Artscope Magazine has reviewed her New Gilded Age exhibition and she was the featured Centerfold Gallery artist in the July/August 2021.
She is a recipient of several awards, including the President’s Fund for Faculty Excellence Award Simmons University in Boston where she formerly directed the Trustman Art Gallery; a Fellow award from the Virginia Center for the Creative Arts; an Artist’s Resource Trust Award — Berkshire Taconic Foundation and a Project Grant from the Ludwig Vogelstein Foundation, Shelter Island NY. The Massachusetts Cultural Council Artsake blog published for their Three Stages series the New Gilded Age. https://artsake.massculturalcouncil.org/three-stages-b-lynch/
Lynch lives and works in Jamaica Plain, a neighborhood of Boston, in a handmade house/studio with a garden of fruits, vegetables and flowers.
Critics say of her work: “Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp’s passion for chess.” — John Stomberg ART New England. ** “All is Folly succeeds in creating a kind of carnival of paintings – riotous and debauched, and altogether worthwhile.” — Cate McQuaid The Boston Globe.
You can read reviews here.