Storytelling how society works through art, B. Lynch embellishes, makes fun of, and wonders at the societal friction in our new gilded age of income disparity. She has had solo shows at many universities and museums. Her ongoing Red and Grey solo project was at Brattleboro Art Museum from October 2021 – February 2022, and was featured at College of the Holy Cross: New Gilded Age through February 5, 2021; Phillips Exeter NH summer ’19; at Framingham State University of Massachusetts fall ‘18; and. Her videos have been screened across the country and in Germany. In 2021 videos were featured in the group exhibition Storied References, Northern Illinois University Art museum as well as in exhibitions in South Carolina and Texas. Her work has been extensively written about and was the featured Centerfold Gallery artist in the July/August 2021 Artscope magazine.
She is a recipient of several awards, including the President’s Fund for Faculty Excellence Award Simmons University in Boston where she formerly directed the Trustman Art Gallery; a Fellow award from the Virginia Center for the Creative Arts; an Artist’s Resource Trust Award — Berkshire Taconic Foundation and a Project Grant from the Ludwig Vogelstein Foundation, Shelter Island NY. The Massachusetts Cultural Council Artsake blog published for their Three Stages series the New Gilded Age. https://artsake.massculturalcouncil.org/three-stages-b-lynch/
Lynch lives and works in Jamaica Plain, a neighborhood of Boston, in a handmade house/studio with a garden of fruits, vegetables and flowers.
Critics say of her work: “Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp’s passion for chess.” — John Stomberg ART New England. ** “All is Folly succeeds in creating a kind of carnival of paintings – riotous and debauched, and altogether worthwhile.” — Cate McQuaid The Boston Globe.